Sky

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Took this yesterday. Just as I was thinking about Landscapes – this sky turns up! Happy to be there with my camera at that moment.

I will follow up some time with inspirations from Marilynn Webb.

How can I sketch this!

The Stumps

Click image to go to the Stumps2 image on the Thousand Sketches site

#49 Stumps2

I spent a lot of time trying to get the sky & the bush in the front. None of it looked right. Then Kate said “I love that!” when I was back to the skyline layer. It is the view at Mt. Lyford from just near our house. There is a deep dark valley between us & those trees. I will do more & capture that if I can.

Sketches, unlike paintings do not usually cover the whole surface. The underlying surface is integral to the image. Having said that, some painterly sketches follow that do cover the available space.

Later

I have given this image less height and printed it in A3+ in “landscape” – does the thing more justice. I will go with the larger prints.

Epsom 2400 printer producing a landscape image on 13 by 19 A3+ paper

LyfordGreen

Click image to go to the LyfordGreen image on the Thousand Sketches site

#43 Lyford-Green

Went for a long walk today in the hills. Looked at the colours. A cloudy day. Thinking about landscapes and still focussed on Palm work. Here is the result.

~

Available in a limited edition of 25 prints, pigment ink on archival paper.

This print is available exclusively through the Allen Gallery in Chelsea New York. If you would like to purchase a print please contact Michel Allen.

image

See prints from the Thousand Sketches exclusive to the Allen Gallery

Conversation with Amy – restraint, genre, tag-clouds.

Amy is a friend and artist in San Francisco. On the phone today she told me she was working on the blog for Public Smog she is one of the collaborators on Invisible 5 What is Public Smog: “built in the economic realm of carbon offset trading”. At least it is not built on sand, or in cyberspace like this project.
Amy was complimentary about the project, appreciated, thanks. What was of value to me in our discussions were simple off-the-cuff comment like “you have a good sense of line” (Marion Harvey told me that in 1970, same words) it is good to hear because I become conscious of line. Is that good? I am all for it, consciousness is OK. She said I had a sense of “restraint”. Restraint. I am not sure what that means yet. Dan just said I was flowing. Flow & restraint, probably work ok together. Perhaps it is something about a sketch as opposed to a drawing, restraint.
I am restrained in posting up stuff! I am am learning what I want here, and so holding back what I don’t like, does not fit with my process, the project process. I want to use the 1,000 for so many ideas, shapes & colours, soon they will be all gone!

Genre

Amy asked if she could put in a request. Sure. NZ landscapes. She is missing NZ. But would that be the wrong genre? The genre question was raised in the conversations with Alex as well. This is such an amorphous lot of sketches that anything can go in the melting pot. Anything. I’d like to do landscapes. I love a lot of NZ landscape artists – if you call them that, McCahon, and Marilynn Webb, she particularly inspires me at the moment.

Another great comment – on the genre question: “Draw your way out of it!” Thanks Amy.

Where this project is unified is through the conversations. So I will do landscapes. I’ve done one already in response to the request. (it is no good!) I told Amy I want to get the light right. She told me about the “Bay Area School” capturing the colour of the light – something to research.

We spoke of tag clouds, with a 1000 sketches there is unifying that can be done post-facto, by the user – now there is a word for people viewing art!

public smog