Bunker 1

#467 Bunker 1
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Kate & I have been on some great walks in the Port Hills of Christchurch lately. Above Lyttelton are some old concrete structures, I’ll call them bunkers. The were part of the defences against the Japanese who almost invaded New Zealand in WWII. They are quite beautiful sitting there on the hillside. The remind me of Lois Khan buildings (though I have only seen pix) – and I want to draw more of these buildings with minimalist strong lines. Basic stuff. One Khan image done a while back – Salk Interior.

The sketches are from the photos I took, and here are some more pix, to contextualise the sketches.

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Trade Me

I have just put a few on Trade me again.

Have a look.

Those images will only be available from Trade Me for a while. I’ll add more soon.

Pat Hanly 1932 – 2004

#466 Pat Hanly
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I went to the “Art of the Nation” at Te Papa and I had a good time. Loved the Hoteres, the Woollastons, one or two of the McCahons and Rembrandt’s etchings. God knows why these, they were ones that gripped me. The item on the cover of the booklet is a painting by Pat Hanly.

I was already in the middle of this sketch, as Hanly was in the Hotere video, they were mates it seems. He is one of the big names in New Zealand.

Links, images follow.

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Expect Nothing

#465 Expect Nothing
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11″ x 8.5″ image on 13″ x 19″ archival mat paper.

A vigorous time with digital lead pencil.

Later

In the comments below Jan asked how it might look in negative. Here it is – with a little sepia thrown in. Better if you ask me. Thanks Jan.

Exploring Ten Zen Seconds

I read this from Eric Maisel in the interview on Catherine’s Blog (read that interview):

First, the creating ought to come first each day – that’s a big secret and a big deal. When we get to our novel at five a.m. and write for an hour, then we have made some meaning on that day and face the meaninglessness of some of our daily pursuits with much more equanimity. If, on the other hand, we spend a meaningless day and THEN try to get to our writing, we are usually both worn out mentally and drained existentially, since we have been with “too little” meaning all day long.

Well, immediately I have a few questions! Really I’d like to know the answer to this:

What if you are not a “morning person”? I get to work in the nick of time in the morning, work all day, and then create mostly at night. Not ideal! I love my work, and I love the night-shift too. Is there a better way?

Secondly and perhaps more importantly, Eric, when you say “creating ought to come first” I initially read it as creating ought to come first in your life. I don’t think you said that, but it is an interesting notion. I subscribe to it in a Joseph Campbell “follow your bliss” way. What do you think?

I will be reflecting on the TZS for the next day & emailing Eric my questions, stay tuned.

I also want to apply the method to some sketching…

If I breathe into a few of these I can see it will help!

1. (I am completely) (stopping)
2. (I expect) (nothing)
3. (I am) (doing my work)
4. (I trust) (my resources)
5. (I feel) (supported)
6. (I embrace) (this moment)
7. (I am free) (of the past)
8. (I make) (my meaning)
9. (I am open) (to joy)
10. (I am equal) (to this challenge)
11. (I am) (taking action)
12. (I return) (with strength)

One little doubt creeps in… I have done quite a few sketches while less than centred, plenty of them, from a dark place or from an agitated self. Bursting, Blacker to mention just two. These have been satisfying. My creative work centers me. I imagine you have explored this nook of the creativity phenomena Eric, and I’m interested in your comments.

give it a title

#462
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I dreamt I provided a social service. My usual copyright is modified for this sketch. Anyone can sign it, and name it, provided money from sales go to a New Zealand registered charity. I will do my usual 25 prints, I will call mine NOT, they can be purchased & money will go to suitable cause arranged with purchaser. I do not require a percentage from re-sale.

Prints are in pigment ink on 13 inch by 19 inch archival paper.

Later: Saturday, 29 December, 2007
I really hoped Helen Clark would take me up on this. Of course it is not too late, though paintergate is a long time ago..

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Intense Blue Circle

One more circle. I could not have done this at the time I did those circles at the Montessori school. They had to be yellow, my self imposed discipline, even now it feels strange to do a blue one. I wanted to contrast blue with the colours I have been using, thinking of colour, exploring the shade of blue. It looks how I want it on my screen, and I will print it to look right too.

Yuri Gagarin first circled the earth. ‘It’s blue,’ the Russian cosmonaught reported back to earth, on his crackly radio. ‘An intense blue.’

Matthew Collings “TMA” p174

#460 Blue Circle
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